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Months after Womad, Khan travelled to Paris where he made a series of beautiful live recordings for the Ocora label, as well as in London for the Indian music label Navras. Here his music would inspire a new-age spiritualism of an entirely different kind. After he had spent 14 years as the head of his family’s qawwal troupe, building a reputation as a religious performer in India and Pakistan, his Womad set brought him the secular fame and commercial viability of the western music industry. It is hard to overstate how important this concert was, not only for the assembled crowd, but Khan, too. Closing with a love song, or ghazal, Biba Sada Dil Morr De, Khan finds new gymnastic phrasings through the repetition of the song’s title, yearning as his husky voice cracks before each breath: “Give my heart back,” he entreats in Urdu. Then comes tabla player Dildar Hussain working up a polyrhythmic sweat during the raucous choral celebration of Shabhaz Qalandaz. The Party follow that electric opening and rounds of applause with what would become one of Khan’s biggest commercial successes, Haq Ali Ali, a mid-tempo ode to the revered Sufi figure of the prophet Muhammad’s son-in-law. Khan's Womad set brought him the secular fame and commercial viability of the western music industry He leads the charge, the entire Party soon clapping in unison as he swaps phrases with child singer Kaukab Ali before they build to Khan’s signature sargam: a rapid-fire wordless vocalisation over chromatic scales in which Khan dances through melody like a bebop sax player through the pounding of drums.
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Farrukh opens by singing along with his harmonium melody, yet Nusrat soon overtakes with a throaty, air-gulping yawp, leaping sideways into a high-register harmony. Listening to a recently digitised recording of the show now, it is still shocking in its force. This 20-minute qawwal unfurls like one long crescendo, luring the listener in to its softly accelerating, swung beat of tablas and hand claps before suddenly Khan’s voice arrives. It was balmy and mercifully dry when promoter Muhammad Ayyub introduced them as “the most famous qawwal in the Indian subcontinent” before Farrukh’s harmonium gently piped in, playing the opening alap for Allah Ho. For the large majority, Khan would have been an obscure name – perhaps one mistakenly associated with the vastly different practice of the sitar raga popularised two decades earlier by Ravi Shankar.Īt midnight, after all the other performances had finished for the day, attendees witnessed Khan taking to the cramped, carpeted stage with his Party: nine members of his extended family of qawwali players, including his brother Farrukh Fateh Ali Khan on the harmonium. On the weekend of 19 July 1985, revellers travelled to the tiny Mersea Island in Essex for headliners New Order, the Fall and Toots and the Maytals. Poor access to the festival site and low attendance almost sunk Womad in its first year, but a well-timed reunion concert for Gabriel’s old band Genesis kept them afloat.
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The first edition, held in the Somerset town of Shepton Mallet, saw performances by Gabriel, Indian sitar player Imrat Khan and free jazz trumpeter Don Cherry. Ya Ali a.s Madad Comment by user526884554ĮID E GHADEER ^_^ HAQ ALI A.S Comment by Sajid RasoolĪli moula meri jan kabz kernay ke liye apka naam hi kaafi hai.Peter Gabriel had begun the festival only three years earlier as a western showcase of music from around the world, as well as that of his peers.
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One of the best king of qawwali Sir Nusrat!! Comment by user526884554 Main part!! Comment by Farrukh Tanvir Gujjar Haq Ali Ali Ali Ali Ali Ali Ali Haq Ali Ali Ali Ali Ali Ali Ali ??????? Comment by bhatti Haq Ali Ali Ali Ali Ali Ali Haq Ali Ali Ali Ali Ali Ali ??????? Comment by Aazam Ashrafi Nusrat tariyan nai resiaan Comment by Aazam Ashrafi Comment by CuCKoo khanĭrive karty huy jo maza hy nusrat k sath ayyyy khayyyyyy hyyy o. All rights reserved to Nusrat Fateh Ali Khan sahib.Īli moula Ali moula dum. *Image in bar: Dark Enlightenment-2 by Seher do not own anything on this audio.We don't take credits anything from this Audio.No Copyright Infringement Is Intended.